What's wrong with
video?
Maybe you record video to life - make a business work, TV documentary or announcements. Maybe you are a student or enthusiastic amateur filmmaker. No matter what you do with the video, the likelihood is that you want to make films - even if only for yourself and friends and family. If you are new to video production, then the idea of "film-look" - in other words, giving the video film appearance may seem quite new to you. Looking for a look "Film-like '!
The term "film-look" or filmize (as it is called by wikepdia) is a generic term that was applied to batch, some physical, some chemicals and now - much digital. Celluloid (film) is expensive, time consuming and costly to develop - not to mention risky - destroying images is very easy! Tape is cheap and easy to use and the quality of video cameras has greatly improved in recent years. With the advent of digital video has become possible for almost any camera to record videos with acceptable quality - Analog cameras are generally unsuitable for viewing the film unless they were professional kind of high level. Now with DV, HD and HDV, it has become easier than ever to make a high quality film that has the look of film.
DV, HD and
"film look"Maybe you record video to life - make a business work, TV documentary or announcements. Maybe you are a student or enthusiastic amateur filmmaker. No matter what you do with the video, the likelihood is that you want to make films - even if only for yourself and friends and family. If you are new to video production, then the idea of "film-look" - in other words, giving the video film appearance may seem quite new to you. Looking for a look "Film-like '!
The term "film-look" or filmize (as it is called by wikepdia) is a generic term that was applied to batch, some physical, some chemicals and now - much digital. Celluloid (film) is expensive, time consuming and costly to develop - not to mention risky - destroying images is very easy! Tape is cheap and easy to use and the quality of video cameras has greatly improved in recent years. With the advent of digital video has become possible for almost any camera to record videos with acceptable quality - Analog cameras are generally unsuitable for viewing the film unless they were professional kind of high level. Now with DV, HD and HDV, it has become easier than ever to make a high quality film that has the look of film.
It is important to realize that high quality camera you shoot, your best piece filmized appear. DV or Digital Video is the lowest quality format you should use. Ideally, shoot HDV - a highly compressed HD version of DV or a professional HD variant.
So this creates a "video film look '?
Film is very different from the raw digital video. There are a number of reasons for this, but the most basic and obvious concepts are the differences in the nature of a video camera and film, and even more important that the stock is a movie based environment chemistry while video is a digital / magnetic media. Digital video stores the image data in a finite range and brightness are stored linearly - very different from the way the human eye. The movement is also different, with much less motion blur in an image.
The legacy of analog video wrong: Intertwined
One sign that reveal the video are the sawtooth serrated edges that are produced by the interleaving process. In short, the interleaving is based on the display video image. This means that static images have higher resolution and moving images have more movement (although less resolution).
Creating an authentic film look requires the use of a 24p or other progressive format or device deinterlacer to make the progressive interlaced video (or a single image). This progressive image will not feature motion artifacts caused by interlacing assuming it was well deinterlaced.
Color correction / grading
Much of the look of the film comes classification / colorization. Video is given a more film-like appearance across the range of adjustments of use and contrast. The most common form to give an image more like a film approach is to use a tool to create soft-s curve like curves. The curve s simulates the way film responds to shine - not linear - against the straight line of the video.
Color correction is used for the video below look too bright and saturated have. Color correction is also used to the style of the room - which often contributes to watch the movie because the movie film is often much more complex than the video light, where lighting is exposure bases.
Film stock flashing and color timing - done in the development lab after shooting - can easily be simulated in software and contribute a huge amount of what most audiences unconsciously recognize as a film look.
This increases the contrast and reduced saturation, leaving the silver halide negative - usually it is washed to view the newly developed image. Essentially bleach bypass can be simulated in Adobe After Effects and similar packages by mixing a black and white version of the image on the original color image. However, if you want authentic looking bleach bypass you may be best to consider a software known as a film look plug-in for your post-production system.
Other key production indicators based on the film optical filters such as neutral density filters and diffusers. This change in quality by softening light, darkening and flowering of specific parts of the image. Diffusers work by affecting specific sections of the tonal range, such as lights and shadows. neutral density filter tone down overly bright sky and led to the kind of sunburn seen in many Bruckheimer and Simpson films from 1980 and 1990.
The first is the depth of field. Depth of field refers to the way an image is developed and fuzzy as is. The speed at which the image loses focus with distance is described by the depth of field. The shallow depth of field has a narrow depth of focus and a deep focus lens keeps most of the focused image.
For a depth of field simlar film (which is relatively shallow), a larger sensor is required. While some of the camera, as Panavision Genesis have 35mm sized sensors - these cameras are expensive. Cheaper professional and prosumer cameras have much smaller sensors - creating a greater depth of field than film camera.
To achieve a true film like depth of field with any camera, you'll need a lens adapter that allows a film like depth of field to create. A 35mm lens adapter is highly recommended M2 http://www.redrockmicro.com.
Film Grain - A non-digital artifact
film grain is very low. We tend to consciously see the theater where the image is large. When appears on the TV, film grain is disappearing and it became a tale of error on SEAKING film look. These unsuccessful attempts involve the use of a sort of noise generation in their NLE or post suite for simulating film grain. This noise not only looks nothing like film grain, but is also very important.
Simulation of grain, except for an aged appearance film must be avoided at all costs.
Then you can extend the range of return in his film look plug-in, but during shooting is imperative to capture as much detail as possible
Also creative lighting - for light to video, imitating the style of lighting your favorite movie, maybe.
Finally ...
If you have been creative with lighting, we tried to create a depth of field and by intelligently using a film look system as Halide System Film Look ([http://www.ambervisual.com/halidedemo.asp] ), you should have good conditions with movies.
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